Curators affectionately refer to the label describing an artwork as its “tombstone.” Like a tombstone, it contains only the most …
Andy Fitch talks with United States Senator from Colorado Michael Bennet about sturdy political foundations and his book "The Land of Flickering Lights."
Becky Zhang follows the evolution of Taylor Swift's aesthetic with the release of her latest album "folklore."
Francey Russell inspects Amy Seimetz's "She Dies Tomorrow," hailed as the first COVID film.
Erin L. Thompson thinks about what it means to record the process of destroying art in Aaron Tugendhaft's "The Idols of ISIS."
Jonathan Alexander looks at bruises and swamps Catherine Opie’s “Rhetorical Landscapes.”
"Fitzpatrick’s excesses feel authentic, his revelations glorious," writes Quinn Roberts.