Curators affectionately refer to the label describing an artwork as its “tombstone.” Like a tombstone, it contains only the most …
The Museum as Weapon
Reviews
Much More Imaginative and Durable Solutions: Talking to Senator Michael Bennet
Andy Fitch talks with United States Senator from Colorado Michael Bennet about sturdy political foundations and his book "The Land of Flickering Lights."
t-swift is a dialectic
Becky Zhang follows the evolution of Taylor Swift's aesthetic with the release of her latest album "folklore."
It’s Over
Francey Russell inspects Amy Seimetz's "She Dies Tomorrow," hailed as the first COVID film.
Smashing Statues, Building Community
Erin L. Thompson thinks about what it means to record the process of destroying art in Aaron Tugendhaft's "The Idols of ISIS."
Photographing a Bruise: Catherine Opie’s “Rhetorical Landscapes” at the Regen Projects
Jonathan Alexander looks at bruises and swamps Catherine Opie’s “Rhetorical Landscapes.”
It’s My Difficulty: On Jameson Fitzpatrick’s Pricks in the Tapestry
"Fitzpatrick’s excesses feel authentic, his revelations glorious," writes Quinn Roberts.
