Suhasini Yeeda writes about drawing as mode of self-interrogation in Liana Finck's recent graphic memoir.
Sarah Haas reviews Zadie Smith's essay collection, "Feel Free."
Richard Wei Semus muses on representations of the contemporary cowboy in Chloé Zhao’s film "The Rider" and Mitski's album "Be the Cowboy."
Robert Wood discusses the legacy of the Pilbara Strike in Western Australia and Donald Stuart's "Yandy."
Chris Yogerst reviews Random House copy chief Benjamin Dreyer's "Dreyer's English."
Elena Sheppard reviews Wendy Guerra's new novel, "Revolution Sunday."
Marlena Trafas reviews Susan Celia Greenfield's "Sacred Shelter" and the power of stories of homelessness.