Spencer Cohen thinks about the ramifications of photographing aesthetic memorials.
Elissa Suh looks at how director Ryusuke Hamaguchi’s exercises his own creativity in his adaptation of Haruki Murakami's "Drive My Car."
Dan DiPiero ponders the origin and category of The Ophelias’ latest album "Crocus."
Harrison Blackman investigates what happens when Lynne Sachs loves a father who is hard to love in the recent documentary "Film About a Father Who."
Paris Shih charts his own path of self-discovery through the growth of the Taiwanese girl group S.H.E.
Shannon Draucker explores the subtle but powerful portrayal of graduate student marginalization in Netflix's popular new series "The Chair."
Ted Clifford reviews the HBO true crime miniseries "Murder on Middle Beach."
Paul Amar inspects Eliane Raheb’s cross-Mediterranean documentary film "Miguel’s War."
Rachel Elizabeth Jones looks at who owns the void in Courtney Stephens's "Terra Femme."
Gary D. Rhodes ruminates on the fate of in-person moviegoing.