Spencer Cohen thinks about the ramifications of photographing aesthetic memorials.
On Photographing at Memorials
Arts & Culture
Traveling Beyond the Canon: Original Artistry in Ryusuke Hamaguchi’s Film Adaptation of Drive My Car
Elissa Suh looks at how director Ryusuke Hamaguchi’s exercises his own creativity in his adaptation of Haruki Murakami's "Drive My Car."
Feeling Spaces and Spatial Feelings: On The Ophelias’ Crocus
Dan DiPiero ponders the origin and category of The Ophelias’ latest album "Crocus."
“Not a Self-Portrait”: Lynne Sachs’ Film About a Father Who Unspools the Collateral Damage of a Problematic Father
Harrison Blackman investigates what happens when Lynne Sachs loves a father who is hard to love in the recent documentary "Film About a Father Who."
Between Wives: S.H.E and the Making of a Homosocial Myth
Paris Shih charts his own path of self-discovery through the growth of the Taiwanese girl group S.H.E.
What About Lila? English Grad School and Emotional Labor in Netflix’s The Chair
Shannon Draucker explores the subtle but powerful portrayal of graduate student marginalization in Netflix's popular new series "The Chair."
The Long Goodbye: How Murder on Middle Beach Reimagines True Crime
Ted Clifford reviews the HBO true crime miniseries "Murder on Middle Beach."
Miguel’s War and the Shattered Mirrors of Queer Redemption
Paul Amar inspects Eliane Raheb’s cross-Mediterranean documentary film "Miguel’s War."
No Heroes: On Courtney Stephens’s Terra Femme
Rachel Elizabeth Jones looks at who owns the void in Courtney Stephens's "Terra Femme."
Hanging on the Coronavirus Cliff: An Outlook on Moviegoing
Gary D. Rhodes ruminates on the fate of in-person moviegoing.
