Spencer Cohen thinks about the ramifications of photographing aesthetic memorials.
Elissa Suh looks at how director Ryusuke Hamaguchi’s exercises his own creativity in his adaptation of Haruki Murakami's "Drive My Car."
Dan DiPiero ponders the origin and category of The Ophelias’ latest album "Crocus."
Harrison Blackman investigates what happens when Lynne Sachs loves a father who is hard to love in the recent documentary "Film About a Father Who."
Paris Shih charts his own path of self-discovery through the growth of the Taiwanese girl group S.H.E.
Shannon Draucker explores the subtle but powerful portrayal of graduate student marginalization in Netflix's popular new series "The Chair."
Ted Clifford reviews the HBO true crime miniseries "Murder on Middle Beach."