Andrew M. Davenport reviews two recent books about 20th century artist Romare Bearden.
Jenny Staff Johnson examines the unique feminism of Molly Ivins in light of the documentary "Raise Hell."
Martin Shuster finds commonality between the latest Scorsese and Tarantino films, and what they say about American nostalgia.
Robert Carson examines director Jessica Hausner's take on the psychological thriller genre.
Natalia Winkelman reviews Marielle Heller's "A Beautiful Day in the Neighborhood," starring Tom Hanks as Mr. Rogers.
Bailey Trela reviews the haunting majesty of the Met's "The Last Knight" exhibition, on display until January 5, 2020.
Clare Fisher thinks about monumental works in New Jersey and what is considered "timeless."