Pasquale Toscano interrogates the epic lineage of the notable release of Lin-Manuel Miranda's famed musical.
Emily Anne Foster relates Middleditch & Schwartz's improv special to the wacky pantheon of Dickens characters.
Rebecca Chace reviews Edgar Oliver's latest one-man show "New York Trilogy" at the Axis Theatre.
Elizabeth Wiet reviews Daniel Fish’s 2019 stage adaptation of Don DeLillo’s 1985 novel "White Noise" at NYU's Skirball Center for the Performing Arts.
Daniel Olivas discusses the absurdism of the Trump age and his inspiration for retelling Beckett's "Waiting for Godot."
Hollis Robbins explores the failure of Adams and Sellers' gold rush opera "Girls of the Gold West" and wonders when tech entrepreneurs will be the subjects of their own operas.
Kristin Marguerite Doidge attends Nora and Delia Ephron’s off-Broadway hit play "Love, Loss, And What I Wore."
Pamela Avila on Dillon Chitto's play "Bingo Hall," currently showing at The Autry.
Sara Finnerty gains inspiration and hope from the documentary "Spettacolo," about an experimental play put on in an ancient town in Italy.
Two young authors discuss "ANTHOLOGY: The Ojai Playwrights Conference Youth Workshop 2006-2016," to which they contributed.