• Arts & Culture

    The Caillou Conceit: Narrative Overexposure and Hyperreal Pacing in Netflix’s Love

    By Callie Hitchcock

    Callie Hitchcock reviews Netflix's "Love" in light of the hyperreal storytelling style exhibited in "Caillou."

    The Walkout: Mitski and Alienation

    By Geoff Nelson

    Geoff Nelson discusses Bertolt Brecht's theory of alienation and the music videos of Mitski.

    Program Overload: Against the TV Reboot

    By Rebecca Linde

    Rebecca Linde writes against the nostalgia-driven impulse toward television reboots.

    Name One Genius That Ain’t Crazy: Kanye West Has Nothing to Say

    By Max Suechting

    Max Suechting reviews Kanye West's "ye" and West's collaboration with Kid Cudi, "Kids See Ghosts."

    On the Misuse of Queer: The Queer Biennial Returns to Los Angeles

    By Matthew Lax

    Matthew Lax considers the "What if Utopia"-themed Queer Biennial currently on display across Los Angeles for Pride month.

    What Killmonger Can Teach America About Heroism

    By Eden Robins

    Eden Robins on Erik Killmonger, American villainy, and family separation.

    Eat The Shorts: A Billions FanFic Review of The China Hustle

    By Matt Seybold

    Matt Seybold discusses Jed Rothstein's documentary "The China Hustle."

    Consider the Cop Show: On Brooklyn Nine-Nine

    By Apoorva Tadepalli

    Apoorva Tadepalli reconsiders her relationship with "Brooklyn Nine-Nine."

    Stagecoach Music Festival, in Photographs

    By Matthew Stevens

    Armed only with two disposable cameras, Matthew Stevens chronicles Stagecoach Music Festival.