Elissa Suh looks at how director Ryusuke Hamaguchi’s exercises his own creativity in his adaptation of Haruki Murakami's "Drive My Car."
Traveling Beyond the Canon: Original Artistry in Ryusuke Hamaguchi’s Film Adaptation of Drive My Car
Reviews
“Inside the Snake is the Safest Place to Be”: Nation, Identity, and the Impossibility of Going Back in Sabina Murray’s The Human Zoo
Shastri Akella considers the utility and limits of metonymy in Sabina Murray’s "The Human Zoo."
Feeling Spaces and Spatial Feelings: On The Ophelias’ Crocus
Dan DiPiero ponders the origin and category of The Ophelias’ latest album "Crocus."
On Reading Fleur Jaeggy’s Sweet Days of Discipline
Greg Gerke follows the literary lineage of Fleur Jaeggy's "Sweet Days of Discipline."
“Not a Self-Portrait”: Lynne Sachs’ Film About a Father Who Unspools the Collateral Damage of a Problematic Father
Harrison Blackman investigates what happens when Lynne Sachs loves a father who is hard to love in the recent documentary "Film About a Father Who."
The Many Queens of Zenglish: Queenzenglish.mp3: poetry | philosophy | performativity by Kyoo Lee (ed.)
Georgina Colby investigates the many forms, pathways, and evolutions of the English language in Kyoo Lee's edited anthology "Queenzenglish.mp3."
Not an Insomniac’s Notebook: A Review of Michael Palmer’s Little Elegies for Sister Satan
Neeli Cherkovski finds complex yet charming passages in Michael Palmer's latest poetry volumne, "Little Elegies for Sister Satan."
