Category Archives: Arts & Culture

Meet the Characters Inhabiting Francis Ford Coppola, Errol Flynn, and Cecil B. DeMille’s Old Haunt

By Alina Cohen

“Los Angeles, in my humble opinion, is moving more towards community,” said writer and filmmaker Cameron Crowe, who wrote the introduction to photographer Pamela Littky’s new book, The Villa Bonita, out from Kehrer Verlag this past September. Littky, who is known best for her celebrity portraits, is “capturing a new spirit of togetherness,” Crowe expounded. “People do, you know, need the smell of another person’s skin and a feeling that there is somebody on the other side of the wall.” Continue reading

Rock and Literature: On Bob Dylan’s Nobel Prize

By Kevin Dettmar

I’ve just returned from a wonderful small conference at the National Humanities Center called “Novel Sounds.” At its most specific, conversation focused on the role played by rock ‘n’ roll in contemporary American fiction; more broadly, presentations engaged with the fruitful — if sometimes stealthy, but in any event mutual — give-and-take between writing and contemporary popular music. Continue reading

Nobel Notes: Dylan as Literature

By Joshua Clover

Bob Dylan, who won the Nobel Prize on Thursday, made his last great recording on my mother’s birthday in 1975. Also, Joni Mitchell is better. He’s a world-historical artist anyway. You might disagree; every Nobel Prize winner is broadly disliked, I hope. Taste is, as always, the least interesting aspect of the contentious debates over who is deserving of this annual travesty. More interesting is the struggle — the campaigning, the outrage, the political demands — over this doling out of cultural recognition by gross global prestige machines. But this year the heat seems to reside in the definition of literature, itself a site of ceaseless cultural combat. Continue reading

Inside the Rhode Island School of Design’s New York Fashion Week Show

 

Article and photos by Edith Young

Phelan, Mansur Gavriel, Maryam Nassir Zadeh, Nicole Miller, Eckhaus Latta: Glancing at the New York Fashion Week calendar, it’s not immediately apparent that so many designers on the roster spent years toiling away in studios at the Rhode Island School of Design (RISD) before launching their eponymous labels. One might speculate that there will be more famous names in fashion to emerge from RISD; its history speaks for itself. On the second to last day of this season’s New York Fashion Week, ten newly-minted RISD apparel graduates presented the school’s first ever Fashion Week show. They convened backstage at Skylight Clarkson, one of the premiere event spaces for shows like Vera Wang, Cynthia Rowley, Hood by Air, and Band of Outsiders. Helping models shimmy into garments, strap into Tevas, and lace up cleats, the recent alums prepared to reveal a year’s worth of work to a new audience. While the designers had already debuted their Apparel Design theses in May on a makeshift runway in RISD’s Fleet Library, September 14th’s New York presentation felt like a coming out ball.

Continue reading

Difficult Situations: Zoe Leonard’s In the Wake

By Zack Hatfield

Photographs of photographs constitute a peculiarly self-conscious genre. These images often emit a jejune urgency, an automatic feeling that the photographs they depict must be preserved. Given the rapid transformation of the photographic medium, it’s noteworthy that a physical photograph no longer qualifies as a preservation in and of itself — there must be a digital replication of the object. Photos are taken so that information can be shared (one thinks now of the reliable screenshot) — or so that information can be destroyed, the simulated a proxy for the actual. Sometimes, a photograph of a photograph implies historical and psychic gulfs between both beholders. As Zoe Leonard’s latest exhibit shows, these photographs can bear witnesses to — and perform in — the mysterious drama that is memory. Continue reading

A Vision of San Francisco: SFMOMA Expansion and the Rise of a City

By Mimi Zeiger

In 1990, several years before the San Francisco Museum of Art (SFMOMA) would move into its new building on Third Street, William Gibson wrote the short story “Skinner’s Room” for the architecture exhibition Visionary San Francisco. Commissioned by the museum’s first architecture and design curator Paolo Polledri, Gibson’s sci-fi dystopia depicted the city’s homeless population squatting on a defunct Bay Bridge while wealthy urbanites made their homes in 60-storey solar-powered towers. Continue reading

A Convergence of Rad Women at Skylight Books

By Tori Gesualdo

This moment in human history has the word gender turning over and over in its mouth, the sandstone of the modern tongue stripping away the callouses on the word “woman.” On October 3rd at Skylight Books, author Kate Schatz and illustrator Miriam Klein Stahl heralded the word “woman” in the presentation of their new book Rad Women Worldwide. The book is a celebration of amazing women throughout human history, like activist Malala Yousafzai, novelist Chimamanda Ngozi Adichie, and British punk rocker Poly Styrene. It is sequel to the duo’s first work, Rad Women of America, and a very considerate and artful archive of global femininity. The widened scope of subject matter was approached with great attention to diversity; of skill, of global recognition, of race, and of creed. By acknowledging each rad woman’s unique tribulations on her way to triumph, they have created not only an artifact of female excellence, but of female strength and tenacity in the face of patriarchy, racial oppression, and war. Continue reading