Alexandre Saden inspects Hande Sever’s exhibition "When the Geraniums Bloom," on display July 13–August 17 at the Visitor Welcome Center in LA's Koreatown.
Rachel Elizabeth Jones looks at the anthropological issues raised in Ari Aster's daylight horror "Midsommar."
Aaron Shulman shares his love of the the 1976 Spanish film "El Desencanto" and an upcoming screening at Now Instant Image Hall in Highland Park.
Sam Sackeroff reviews the recent Joan Mitchell exhibit at the David Swirner Gallery in New York City.
Sophia Stewart pens an ode to a band with "profound candor" and staying power.
Bailey Trela takes a look at the "The American Pre-Raphaelites: Radical Realists" exhibit at the National Gallery of Art.
Natasha Boyd reviews the "Au Naturel" retrospective exhibition of Sarah Lucas at the Hammer Museum.
"Aside from the few instances of genuine adolescent naivety found in the actors' desire to amuse, it’s all boilerplate redemption narrative."
Sam Buckland reviews Claire Denis's recent interstellar film "High Life."
Sophia Stewart discusses the bittersweet second and final season of Phoebe Waller-Bridge's "Fleabag."
