• Guadagnino’s Suspiria: Dark Dance for Dark Times

    Gillian Jakab reviews Luca Guadagnino's remake of Dario Argento’s 1977 horror film, "Suspiria."

    Jill Soloway Wants It All

    Anna Dorn interviews Jill Soloway and reviews her new book "She Wants It."

    For the Love of Melodrama: On Bohemian Rhapsody

    Charles Taylor defends the Freddie Mercury biopic "Bohemian Rhapsody."

    Imagining Chicago: The Art Institute of Chicago’s “Never a Lovely So Real”

    Eli Rudavsky reviews the Art Institute of Chicago's recent exhibition, "Never a Lovely So Real."

    “The Republican Club”: A Teachable Moment

    What might a conversation between student and professor about "The Republican Club" look like?

    The Horror of Mandy’s Many Orgasms

    Niv M. Sultan reviews Panos Cosmatos’s "Mandy," in which sex and death are one.

    A Star’s Voice is Born: A Path Forward

    Kristin Marguerite Doidge reviews the progressive potentials of "A Star is Born."

    The Transformative Power of Sex — with the Entire Family: 50 Years On, Pier Paolo Pasolini’s Teorema is Still Radical

    Although 50 years old, Pier Paolo Pasolini's "Teorema" still offers a revolutionary depiction of sexual liberation.

    What a Girl Wants?: On Assassination Nation

    Zoe Dubno reviews "Assassination Nation," a "miasma of gore, teen ass, and fake-woke political thought."

    Art Inside: Painted Windows

    For her Art Inside series, Annie Buckley reflects on the Arts Facilitator Training, a program for incarcerated individuals to lead classes for their peers.