Image: Julianna Brion
By Randon Billings Noble
I’ve been reading a lot these days – novels, essays, and online articles about reading novels, essays and online articles. My own reading has been voracious and omnivorous – largely because the rest of my life is limited to being home with three-year-old twins and reading The Magic School Bus, Frog and Toad are Friends and Mr. Tiger Goes Wild.
So I do not have “reading insecurity,” as defined by Katy Waldman in a recent Slate article of the same name. Instead of “the subjective experience of thinking that you’re not getting as much from reading as you used to,” I fear I am in danger of taking too much from it. As soon as the twins’ door closes on their naptime or my husband comes home from work I am counting the minutes until I can fix a cup of tea and curl up with a book. Then, at last, I can rejoin Eula Biss as she explores vaccination in On Immunity, or Cheryl Strayed as she hikes the Pacific Crest Trail, or Lucy Knisely as she travels across Europe and into The Age of License. Through these journeys I can leave struggles with socks and broccoli and tantrums behind. Continue reading
Image © Amy Li — 2015
By Jessica Gross
A week after the journalist and critic Deborah Solomon visited the Museum of Communism in Prague, she spoke about it in a workshop on how to conduct interviews. “They have something there called an interrogation room,” she told the couple dozen of us, mostly women and mostly journalists, clustered around the table. The interrogation room was a Soviet-era recreation, and Solomon was curious what she’d find. “I looked, and it was just a desk and a chair,” she said. “No water boarding instruments or weapons. And I thought, well, whoever was sitting behind that desk must have known how to ask great questions.” Continue reading
Photo: Awaiting Kara Walker’s “A Subtlety, or the Marvelous Sugar Baby” (June 2014)
By Magdalena Edwards
“Waiting too long poisons desire, but waiting too little pre-empts it: the imagining is in the waiting.”
– Adam Phillips, Missing Out: In Praise of the Unlived Life (FSG 2012)
Lately I have been thinking about waiting, specifically the act of choosing to join a long, slow line of people to do or get something that is not a necessity. Continue reading
By Michael Magras
One of the more spirited debates in literature over the past couple of years concerns the likability of characters, especially female characters. During an interview with Publishers Weekly in April 2013, Claire Messud took umbrage at the suggestion that Nora Eldridge, the protagonist of her excellent novel The Woman Upstairs, was not someone the interviewer would ever want to befriend. “For heaven’s sake,” Messud responded. “Would you want to be friends with Humbert Humbert? […] The relevant question isn’t ‘is this a potential friend for me?’ but ‘is this character alive?’” Continue reading
Photo credit Alex Crétey Systermans.
By Joanna Chen
“Can I give blood too?” my son asks as I stand in the doorway, car keys in one hand, my bag and a bottle of water in the other. “No,” I say. “You can’t. You’re too young.” He is fifteen years old and has a genetic disease. He will probably never be able to donate blood.
My partner, Raz, and I drive to East Jerusalem and up to the Mount of Olives. It’s a beautiful journey, beginning with the biblical landscape of David and Goliath. The Ella Valley, where we live, has barely changed for years, a gentle range of hills dotted with olive and almond trees that blossom wildly in season. The area also carries a delicate historical subtext: it was the site of a number of Arab villages that existed before the 1948 war. One of the villages we pass still contains a mosque, peeking out above the red roofed houses of Kurdish Jews who fled Northern Iraq in the early 1950s. Continue reading
Photo: Nadine Cordial
By Elizabeth Lauren Winkler
There’s a quality to youthful American summers that sets those childhoods apart. I’ve sped far enough forward now from that time that my memories have condensed into a series of vivid, if fractured, images: my parents parked on their canvas beach chairs (Dad slack-jawed in a heat-induced nap); crabs strewn like the bodies of a defeated army across a long brown-papered table; the sea of Fourth of July patchwork quilts; fireworks, post-explosion, dripping color through the night; heat throbbing on the courts at tennis camp; melting popsicles; tangled, sunburned limbs; and the cool, chemical blue waters of the country club pool. Continue reading
Photo: Elizabeth Weinberg, part of “All Summer in a Day” series.
By Amy Spies
Readers, you may relate to my addiction.
It happened to me long ago.
I didn’t mean to get hooked. I was just craving something to whisk me to another land, a better life, a fantastic world. No one told me that all these lines, my blissful escape, could become a lifelong habit. Continue reading