By Alec Ash
Just as the cold winds sweep the last leaves off Beijing’s trees, November 11 was Singles, or “bare branch,” Day in China (guanggunjie, after a Chinese term for single men). It’s chosen for the four number ones of 11/11, an appropriate date to be dateless. In a country with 118 boys born for every 100 girls, the main function of the festival seems to be making all of China’s single twigs feel inadequate. When I texted “What are you doing this guanggunjie?” to a handful of partnerless Chinese friends, I got back the same curt reply from three: “Sleeping.” I’ll know better than to ask next year.
Singles Day is mostly about online shopping sales now, but there are also a spattering of singles’ events in Beijing on the night. Speed dating is increasingly popular in China, as young urban people in full-time jobs try to find a compatible life partner. I went along to one for a look. Continue reading
By Paul French
Anne Witchard’s England’s Yellow Peril: Sinophobia and the Great War is the final volume in the Penguin China World War One series of short books that have highlighted the various aspects of China’s involvement in the Great War (previously discussed at this blog by Maura Elizabeth Cunningham). England’s Yellow Peril builds on Witchard’s previous work, looking closely at British perceptions of China and the Chinese through literature and the arts in the late-nineteenth and early-twentieth century. In England’s Yellow Peril she looks at how the outbreak of war accentuated and intensified many feelings of English racial dominance, Empire, and notions of the Yellow Peril that had arisen before the conflict. She concentrates on London’s old Chinatown of Limehouse in the East End, where swirling tales of opium smoking, gambling, and interracial romance had became synonymous with the presence of the Chinese. Continue reading
Image: “Let’s show Hong Kongers what it means to kneel for your country!” Soon after Wang Liming (a.k.a. Rebel Pepper) put this cartoon online, a post calling him a “traitor” appeared on People’s Daily BBS. (Artist: Rebel Pepper 变态辣椒).
Note from the China Blog editors: Issues of free speech, censorship, and attacks on journalists have made headlines around the world this month. The biggest news, of course, has come out of Europe, but some stories associated with the topics have broken that relate to Hong Kong and the Chinese mainland. These topics are regular staples for some of the websites we track here at the China Blog, including the Hong Kong-based China Media Project and the Berkeley-based China Digital Times. This post is devoted to introducing Covering China from Cyberspace in 2014, a new e-book by the latter that focuses on political developments of the past year on the Chinese mainland, in Hong Kong, and in passing also Taiwan. Fittingly, given the headlines from Europe, it includes some pointed political cartoons from 2014, including the one shown above.
What follows are two excerpts from a section of the book dealing mainly with the Umbrella Movement that erupted in Hong Kong last September, but also with the Sunflower protests that rocked Taiwan before that. Each of these events has been the subject of essays for the main page of the Los Angeles Review of Books (see, for example, this and this) and they were compared and connected in a previous post for this blog. In the excerpts that follow, readers can see how CDT’s latest e-book deals with, first, threats to freedom of the press in Hong Kong during the months preceding the Umbrella Movement, and, secondly, efforts by the mainland authorities to control the narrative of the protest surge once it was underway. Continue reading
By Austin L. Dean
By now you have probably heard of Alibaba, the Chinese e-commerce company that had a gargantuan $21 billion initial public offering on the New York Stock Exchange in September. You might have seen an interview with Jack Ma, the former English-teacher and CEO of Alibaba, as he made the rounds of the American business media. You might have even read stories about the vast number products for sale of Alibaba’s website: cherries from American farmers, freshly caught oysters from off the coast of New Zealand. Everything, it seems, is available through one of Alibaba’s online marketplaces—one of which, Taobao, was described in detail in Alec Ash’s post for this blog just last week. The company, or at least their public relations materials, claims it is bringing the world to China and China to the world. Continue reading
By Austin Dean
The writer Xiao Hong is everywhere in China these days. Her face recently graced the covers of a score of newspapers and magazines; the publication Sanlian Weekly devoted over thirty pages to her; billboards advertised the recently released film about her career. In fact, the new film The Golden Era is the second Xiao Hong biopic to come out in the space of just two years—the first one, Fallen Flowers, hit theaters in March 2013. A remarkable accomplishment, particularly since Xiao published most of her work in the 1920s and 1930s and passed away in 1942. Continue reading
By Jeffrey Wasserstrom
One of the best works of fiction I’ve read in recent months is The Dog: Stories by Jack Livings, who taught English in China in the 1990s and sets all of the short stories in his collection in that country. The book’s longest story, “Crystal Sarcophagus,” is set in the immediate wake of Mao’s death and follows the lives of people set the seemingly impossible task of producing, in record time, a glass coffin for the Chairman’s corpse that would be superior to those already occupied by deceased Communist leaders in Moscow and Hanoi. Several other stories deal with politically charged issues as well, such as tensions between Han and Uighur residents of Beijing, but some focus on totally different things, such as a day and a night in the life of a friendless and not especially likable American exchange student. The Dog has been been getting enviable reviews, such as one by Michiko Kakutani that begins by calling it a “stunning debut” collection and later praises Livings for his ability to evoke the “predicaments” of varied kinds of individuals “with an emotional precision that is both unsparing and oddly forgiving.” In interviewing Livings, I steered clear of “why set these stories in China when you’re an American who lives in the U.S.” sorts of questions, in part because he’d answered these well in earlier interviews for the China Real Time blog, for which Brittany Hite asked the questions, and for The Nervous Breakdown blog, where the person quizzing him was, well, Jack Livings. Continue reading
Photo: The dedication of the WWI memorial in Shanghai, in 1924.
By Maura Elizabeth Cunningham
World War I has always been primarily associated with Europe. That’s where the conflict began, where the major battles took place, and where the war had its most visible effect – the map of the continent was redrawn in its aftermath. But with the one hundredth anniversary of the war’s outbreak being commemorated this summer, we’re seeing more attention being paid to how non-European countries figured into “the war to end all wars.” Delhi-based writer Chandrahas Choudhury, for example, discusses India’s involvement in World War I in this Bloomberg View article, and The Guardian produced a documentary detailing the global nature of the conflict, though it’s still fairly Euro-centric. Continue reading
This week’s China Blog post was originally published on The Anthill, a “writers colony” focused on writings about China, edited by Alec Ash.
By Alec Ash
The Anthill occasionally loans its soul to the devil and does listicles. So far we’ve done China books and China blogs. Now we turn our eye to that richest of terrains – bad articles about China – in the form of a top ten hall of infamy. Continue reading
By Maura Elizabeth Cunningham
Shanghai is a city of reinvention. The metropolis has transformed over the past two centuries from a regional trading hub to a massive global financial center. Shanghai has become the site where China meets the world, a point of entry for alien goods and customs that transfigure the city into an environment that is neither entirely Chinese nor foreign, but rather a blend of the two. With this growth, millions of people have poured into the city: migrants from within China, hoping to find work that will put their families on firm economic footing, as well as arrivals from around the globe, each pushed or pulled to Shanghai by personal forces. Some seek money; some hope for adventure; others want to escape, to disappear into the crush of people and emerge with a new name and history — and in turn, a new future. Continue reading
Photo: Wang Zihao. © Dou Yiping
By Lu-Hai Liang and Dou Yiping
China’s journalism schools, like those in many countries, are packed full of students preparing to join an industry where the supply of graduates far exceeds the number of positions available.
The press may be perceived as the fourth estate in the West, but some journalism students in China follow a “Marxist view” that includes supporting party principles, criticizing the “bourgeois concept of free speech,” and maintaining correct “guidance of public opinion,” according to an article on the China Media Project’s website. Continue reading