By Paul French
Anne Witchard’s England’s Yellow Peril: Sinophobia and the Great War is the final volume in the Penguin China World War One series of short books that have highlighted the various aspects of China’s involvement in the Great War (previously discussed at this blog by Maura Elizabeth Cunningham). England’s Yellow Peril builds on Witchard’s previous work, looking closely at British perceptions of China and the Chinese through literature and the arts in the late-nineteenth and early-twentieth century. In England’s Yellow Peril she looks at how the outbreak of war accentuated and intensified many feelings of English racial dominance, Empire, and notions of the Yellow Peril that had arisen before the conflict. She concentrates on London’s old Chinatown of Limehouse in the East End, where swirling tales of opium smoking, gambling, and interracial romance had became synonymous with the presence of the Chinese. Continue reading
By Austin Dean
It is always interesting when two books released at nearly the same time — written by two very different authors and aimed at two distinct audiences — at first glance appear to have nothing to do with each other but end up focused on the same thing. It is even better when they disagree.
Yong Zhao is Professor of Education at the University of Oregon. Shaun Rein is a marketing consultant based in Shanghai. Zhao’s book, Who’s Afraid of the Big Bad Dragon: Why China Has the Best (and Worst) Education System in the World, came out last September and aims to disabuse American educators of the dangerous notion that the U.S. education system should be more like China’s. Rein’s volume, The End of Copycat China: The Rise of Creativity, Innovation, and Individualism in Asia, came out in the same month and seeks to puncture illusions that the business environment in China is the same as it was a few short years ago when he published his first book, The End of Cheap China. Both works, though, ultimately center on one of the watchwords of our time: innovation. Continue reading
Image: “Let’s show Hong Kongers what it means to kneel for your country!” Soon after Wang Liming (a.k.a. Rebel Pepper) put this cartoon online, a post calling him a “traitor” appeared on People’s Daily BBS. (Artist: Rebel Pepper 变态辣椒).
Note from the China Blog editors: Issues of free speech, censorship, and attacks on journalists have made headlines around the world this month. The biggest news, of course, has come out of Europe, but some stories associated with the topics have broken that relate to Hong Kong and the Chinese mainland. These topics are regular staples for some of the websites we track here at the China Blog, including the Hong Kong-based China Media Project and the Berkeley-based China Digital Times. This post is devoted to introducing Covering China from Cyberspace in 2014, a new e-book by the latter that focuses on political developments of the past year on the Chinese mainland, in Hong Kong, and in passing also Taiwan. Fittingly, given the headlines from Europe, it includes some pointed political cartoons from 2014, including the one shown above.
What follows are two excerpts from a section of the book dealing mainly with the Umbrella Movement that erupted in Hong Kong last September, but also with the Sunflower protests that rocked Taiwan before that. Each of these events has been the subject of essays for the main page of the Los Angeles Review of Books (see, for example, this and this) and they were compared and connected in a previous post for this blog. In the excerpts that follow, readers can see how CDT’s latest e-book deals with, first, threats to freedom of the press in Hong Kong during the months preceding the Umbrella Movement, and, secondly, efforts by the mainland authorities to control the narrative of the protest surge once it was underway. Continue reading
By Paul French
Every so often, a novel that captures the essence and flavors of the modern China experience is published — yet seemingly totally escapes the attentions of the devoted China reading crowd. They praise and discuss, absorb and dissect other, often distinctly inferior, novels, while Lawrence Osborne’s The Ballad of a Small Player has attracted no attention and fallen through the cracks of the Sinology drain. Yet Osborne has written an acutely observed novel detailing one part of the contemporary China experience and he deserves to be widely read. In fact, I’m going to just go right on and out and say it — Osborne’s novel is the best on contemporary China since Malraux’s Man’s Fate (which, rather depressingly, means we might have to wait another 80 years for the next one!) Continue reading
By Austin L. Dean
By now you have probably heard of Alibaba, the Chinese e-commerce company that had a gargantuan $21 billion initial public offering on the New York Stock Exchange in September. You might have seen an interview with Jack Ma, the former English-teacher and CEO of Alibaba, as he made the rounds of the American business media. You might have even read stories about the vast number products for sale of Alibaba’s website: cherries from American farmers, freshly caught oysters from off the coast of New Zealand. Everything, it seems, is available through one of Alibaba’s online marketplaces—one of which, Taobao, was described in detail in Alec Ash’s post for this blog just last week. The company, or at least their public relations materials, claims it is bringing the world to China and China to the world. Continue reading
By Alec Ash
Anyone who lives in China orders a lot from Taobao, the online shopping hub owned by the recently listed company Alibaba. The last dozen items I purchased from it are: foam ear plugs, a wooden moxibustion set, USB speakers shaped like a panda head, a hemp cushion with a Union Jack design, a laptop stand, a wireless keyboard and mouse, a piano stand clip-on light, a fridge magnet that you can snap open bottle caps against, a bottle of Bruichladdich whisky, a portable iPhone battery charger, and a tai chi sword. I have just revealed too much about myself.
It’s an impressive site. First of all, Taobao has everything. Pining for Marmite from mother England? Taobao has it. Think sending live scorpions in the post is a bad idea? Think again. Want a pony instead? Happy birthday. Continue reading
By Jeffrey Wasserstrom
Note: All photos were taken in Mong Kok on the morning of November 8. The drawing in the center shows Hong Kong’s widely disliked Chief Executive C.Y. Leung, derided by critics as “The Wolf,” threatening protesters, represented by the movement’s iconic yellow umbrellas, and has a caption reading: “We need a democratic government NOT a violent one.”
There are many obvious differences between the headline-making events associated with Hong Kong and Ferguson. Let’s begin with a basic fact: there have been injuries but no deaths linked to the Umbrella Movement. In addition, while protests have erupted both on Hong Kong Island itself and across the harbor in Kowloon, there have been no actions in even the nearest mainland cities, such as Guangzhou and Shenzhen. This contrasts sharply with the situation in the United States, where demonstrations broke out from Los Angeles to New York City to express outrage over the Grand Jury’s verdict not to put the Ferguson police officer responsible for Michael Brown’s death on trial. Continue reading
By Austin Dean
It can’t be much fun to be a Chinese Communist Party official these days. On the one hand, pressures from the job just keep growing, since their main charge is to maintain economic growth and social stability and this has been especially challenging of late. On the other, they don’t have as many privileges as they once did, thanks to the anti-corruption campaign waged over the past year and a half by Xi Jinping and Wang Qishan, the head of the Central Commission for Discipline Inspection: no more personal use of government cars, no more fancy dinners out on the public dime, and, apparently, no more mahjong, a popular game akin to gin rummy. Party cadres now carouse and cavort at their own risk; each week brings news of another official carried off on corruption charges. Continue reading
By Mengfei Chen
Last week, China’s President Xi Jinping hosted the annual Asia-Pacific Economic Cooperation forum in Beijing. For Xi, it was a diplomatic coming out party. Like every debutante, he left nothing to chance. In the weeks leading up to APEC, Beijing implemented a comprehensive plan aimed at presenting its best face to the foreign visitors. Much of this plan targeted Beijing’s infamous smog. As the forum opened, it appeared the efforts had payed off. Beijing residents dubbed the color of the sky during the forum APEC blue, a color one popular commentator called “beautiful but fleeting.” Continue reading
By Maura Elizabeth Cunningham
In a post here at the LARB China Blog last month, Austin Dean discussed the recent revival of interest in Chinese authors of the 1930s and ’40s who had fallen out of favor after the communist takeover in 1949. When Austin sent in his post for editing and I opened the file to see what he had written about, I laughed to myself — he and I were thinking along the same lines, as I had been planning a post about one of those long-lost authors.
The author I had in mind was Mu Shiying, an experimental essayist, short-story writer, and novelist who blazed onto the Shanghai literary scene in the early 1930s and produced an impressive quantity of works before falling victim to an assassin in 1940. The circumstances of Mu’s death have something to do with his long disappearance from the Chinese literary canon: he had taken a job managing a newspaper produced under the Wang Jingwei regime, a collaborationist pro-Japanese government that’s still remembered as perhaps the greatest example of betrayal in twentieth-century Chinese history, and that association led to his assassination. But the other reason that Mu’s stories could not be circulated during the first few decades of communist rule is that they depict — in vibrant, thrilling detail — the pleasure-seeking wildness of Shanghai nightlife in the 1930s. In the years after the communist government came to power, the new administration shut down those nightclubs, and the major literary works of the Mao era (1949-1976) featured China’s farmers and workers, rather than tuxedo-clad cabaret patrons. Continue reading