From “Daughters of DIY: Girl Bands from Motown to Modern:”
For a certain kind of 21st century liberal, the fight for gender equality in pop has already been won. Adele is the world’s best-selling singer-songwriter. Amy Winehouse is, according to broadsheet lore, the tragically posthumous Voice of a Generation. Nicki Minaj rules imperiously over the rap game, and Florence and the Machine is the doyenne of neo-pastoral hipster chic. In the floodlit mainstream of the 2010s mediascape, it seems that the girls have got all bases covered.
But have they really? Click here to keep reading Alex Niven’s review of Girls Make Noise.
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