“We need ghost stories because we, in fact, are the ghosts.”
―Stephen King, Danse Macabre Continue reading
Amid the swell of white noise from the chattering, packed, standing-room only crowd of diverse hipsters at Skylight Books awaiting Phoebe Robinson, a conversation between two women sitting in the row behind me stands out — though it took no effort to eavesdrop. “Phoebe’s saving my life right now,” one stridently said. “Yeah, she tells it like it is,” the other replied, “like how you’d talk to your best friend.” Continue reading
By Sean McCoy
He who hopes for spring with upturned eye never sees so small a thing as Draba. He who despairs of spring with downcast eye steps on it, unknowing. He who searches for spring with his knees in the mud finds it, in abundance.
—Aldo Leopold, Sand County Almanac
On October 6th, at Hennessey + Ingalls bookstore in Downtown Los Angeles, a group of curious Angelenos arranged plastic folding chairs into a circle and sat beneath an array of art and architecture books. We had come to hear Char Miller, an environmental historian and professor at Pomona College, discuss his new book, Not So Golden State: Sustainability vs. The California Dream. Wiry and bespectacled, with white hair crowning his tanned face, Miller spoke synoptically and read excerpts before ceding the floor to his audience for questions. Not So Golden State, Miller explained, surveys the history of environmental issues plaguing California and the West, with specific attention given to the Los Angeles area. Told through a series of essays — what Miller prefers to call “stories” — the book delves into the tensions that arise when humans choose to “make these disparate landscapes our home.”
Article and photos by Edith Young
Phelan, Mansur Gavriel, Maryam Nassir Zadeh, Nicole Miller, Eckhaus Latta: Glancing at the New York Fashion Week calendar, it’s not immediately apparent that so many designers on the roster spent years toiling away in studios at the Rhode Island School of Design (RISD) before launching their eponymous labels. One might speculate that there will be more famous names in fashion to emerge from RISD; its history speaks for itself. On the second to last day of this season’s New York Fashion Week, ten newly-minted RISD apparel graduates presented the school’s first ever Fashion Week show. They convened backstage at Skylight Clarkson, one of the premiere event spaces for shows like Vera Wang, Cynthia Rowley, Hood by Air, and Band of Outsiders. Helping models shimmy into garments, strap into Tevas, and lace up cleats, the recent alums prepared to reveal a year’s worth of work to a new audience. While the designers had already debuted their Apparel Design theses in May on a makeshift runway in RISD’s Fleet Library, September 14th’s New York presentation felt like a coming out ball.
Photographs of photographs constitute a peculiarly self-conscious genre. These images often emit a jejune urgency, an automatic feeling that the photographs they depict must be preserved. Given the rapid transformation of the photographic medium, it’s noteworthy that a physical photograph no longer qualifies as a preservation in and of itself — there must be a digital replication of the object. Photos are taken so that information can be shared (one thinks now of the reliable screenshot) — or so that information can be destroyed, the simulated a proxy for the actual. Sometimes, a photograph of a photograph implies historical and psychic gulfs between both beholders. As Zoe Leonard’s latest exhibit shows, these photographs can bear witnesses to — and perform in — the mysterious drama that is memory. Continue reading
This moment in human history has the word gender turning over and over in its mouth, the sandstone of the modern tongue stripping away the callouses on the word “woman.” On October 3rd at Skylight Books, author Kate Schatz and illustrator Miriam Klein Stahl heralded the word “woman” in the presentation of their new book Rad Women Worldwide. The book is a celebration of amazing women throughout human history, like activist Malala Yousafzai, novelist Chimamanda Ngozi Adichie, and British punk rocker Poly Styrene. It is sequel to the duo’s first work, Rad Women of America, and a very considerate and artful archive of global femininity. The widened scope of subject matter was approached with great attention to diversity; of skill, of global recognition, of race, and of creed. By acknowledging each rad woman’s unique tribulations on her way to triumph, they have created not only an artifact of female excellence, but of female strength and tenacity in the face of patriarchy, racial oppression, and war. Continue reading
By Imogen Teasley-Vlautin
At most punk shows, or any alternative music show, there are only a few other black people amidst a sea of white faces. But during one extraordinary weekend each year at Commodore Berry Park in Brooklyn, the Afropunk Festival brings all of these few black people from scenes all over to this one place. It is the only weekend where we get to see the evidence that, yes, all different kinds of beautiful black people exist, and here they celebrate their art and culture with love. It is a celebration of the freedom to be you — while also being black — and that is revolutionary. Continue reading
Herb Alpert said of the 2015 HAAIA winners, “It’s exciting to be able to support these five unique artists who are always on the hunt for something they don’t yet know, something real that touches us in a deep place. Whether they are writing a concerto, making a film, an installation, a ruckus or a dance, they always look for something special and original to say. These are artists with the passion, talent and the restlessness that never makes them stop. They HAVE TO make art not just for themselves… but for all of US.”
The awards recognize past performance and future promise to artists working in Dance, Film/Video, Music, Theatre and Visual Arts; an outstanding candidate in each genre receives a prize of $75,000. Continue reading