Category Archives: Quick Criticism

Whereas experimental literary books tend to disappear from public discussion pretty fast, adventurous scholarly projects can take years to start circulating. For this “Quick Criticism” series, I seek to help speed up that dissemination process for recent and forthcoming scholarly texts I consider quite galvanizing. Here eschewing (even while admiring) peer-review style rigor, I nonetheless hope to demonstrate the potential for dialogue to promote as precise, as searching, as broadly inclusive a mode of inquiry as does defending any argument-driven thesis. By Andy Fitch.

Try to Get Some Distance Between Yourself and Your Moment: Talking to Anthony Reed

By Andy Fitch

This conversation, transcribed by Phoebe Kaufman, focuses on Anthony Reed’s Freedom Time: The Poetics and Politics of Black Experimental Writing, winner of the Modern Language Association’s William Sanders Scarborough Prize. Reed, an Associate Professor of English and African American Studies at Yale, is currently completing a study of how recorded collaborations between black poets and musicians refract historical shifts in the aesthetic and political possibilities available to these artists and to broader cultures. Many related concerns arise amid the dense texualities read closely in Freedom Time, Reed’s first book. Continue reading

So Insistently Focused on the Daily: Talking to Andrew Epstein

By Andy Fitch

This conversation  focuses on Andrew Epstein’s Attention Equals Life. Attention Equals Life provides an innovative, eloquent account of how 20th- and 21st-century poets’ conceptions (and/or representations, and/or performative embodiments) of attention have overlapped with a philosophically inflected form of everyday-life theory as developed by figures like Michel de Certeau and Henri Lefebvre. Epstein’s expansive scope stretches from the psychological formulations of William James, to the cinematic essays of Jean-Luc Godard and Agnès Varda, to contemporary everyday-life poetic experiments by Brenda Coultas, Claudia Rankine, and Harryette Mullen. Perhaps most importantly, Attention Equals Life offers the galvanizing example of an omnivorous yet meticulous scholarly study that poses direct questions to readers about how best to live out one’s own everyday. Epstein is a Professor of English at Florida State University, and the author of Beautiful Enemies: Friendship and Postwar American Poetry (Oxford University Press, 2006). He blogs about the New York School of poets at Locus Solus, and his critical work has recently appeared in Contemporary Literature, The Wallace Stevens JournalComparative Literature Studies, American Literary History, Journal of Modern Literature, and the Los Angeles Review of Books. Continue reading

Total Junk Rubbing Up Against Glorious, Gorgeous Lyricism: Talking to Daniel Kane

By Andy Fitch

This present conversation (transcribed by Phoebe Kaufman) focuses on Daniel Kane’s Do You Have a Band?”: Poetry and Punk Rock in New York City. More than once, I have picked up a Daniel Kane book and realized he somehow had anticipated just what I (and many poets, scholars, artists I know) would most want to read about. “Do You Have a Band?” certainly falls into that category, as did All Poets Welcome: The Lower East Side Poetry Scene in the 1960s (University of California Press, 2003), and We Saw the Light: Conversations Between the New American Cinema and Poetry (University of Iowa Press, 2010). Kane is Professor of American Literature and Culture at the University of Sussex. My admiration for his own interview work made this particular talk a particular pleasure. Continue reading