Category Archives: Arts & Culture

Blade Runner 2049 and Los Angeles’ Korean Future

By Colin Marshall

“LOS ANGELES NOVEMBER, 2019.” So, with that stark title card, begins the film that presented the most fully realized vision of the city’s future in cinema history to that point — and maybe still to this day. It also fixed its setting in the Western imagination as the go-to image of urban dystopia, though when Blade Runner premiered almost three and a half decades ago, that date must have felt comfortably distant. Now, a week before the year 2017 begins, Los Angeles may have got on track to become a densely built metropolis with high-rise-lined streets filled night and day with activity (and not just of the vehicular kind) later than Ridley Scott and company imagined, but the transformation looks well underway nevertheless. Continue reading

A Short History of Madonna Expressing Herself

By Briana Fasone

Madonna’s moment, which was both deeply personal and unnervingly relevant, came at the Billboard Women in Music event, broadcast on Lifetime on December 12th. Accepting the Woman of the Year award, Madonna, who has never struggled to tell it like it is, delivered a blistering speech about facing sexism and  “constant bullying and relentless abuse” throughout her 30-plus year career. Continue reading

Clunky Beauty — Allison Miller at The Pit

By Daniel Gerwin

Allison Miller does funny things with drips. In “Jaw,” one of seven paintings in her current solo show at The Pit in Los Angeles, drips slide up the canvas in defiance of gravity, while others flow down as expected — clearly, she changes the orientation of her pictures as she works. Miller’s drips are not simply byproducts of her process, as in Franz Kline, for example; but instead, have been carefully preserved. She places tape over the drips she wants to isolate, then removes it only toward the end, preserving rectangles of color around the original drips so that they stand out against the final surface. It’s a goofy send-up of Abstract Expressionist marks with their connotations of emotional urgency and dramatic creativity, but also a canny way of reintroducing the drip as painterly language that escapes the confines of cliché. Continue reading

Blackstars: Life After Death in the Music of 2016

By Derek McCormack

2016 was full of unpredictable trends and occurrences, and the music released this year was no different. In fact, three of this year’s best-selling and acclaimed albums — David Bowie’s Blackstar, Nick Cave and the Bad Seeds’ Skeleton Tree, and Leonard Cohen’s You Want It Darker – all describe a fascinating new trend. In particular, these albums feature frontmen who have been forced into a powerful confrontation with death – for Bowie and Cohen, their own, and for Cave, that of his 15-year old son, Arthur (and perhaps, by extension, his own). Especially coming from three aging white men, this contemplation of mortality comes at a telling time — just as white male privilege and its collective patriarchal baggage are reentering the political spotlight. Perhaps making sense of this unique musical trend could help us to make greater sense of this tempestuous year. Continue reading

Jerusalem Re-enchanted

By Sara Lipton

Nineteenth-century travelers to Jerusalem were notoriously disappointed by what they found. Herman Melville complained in his Journal of a Visit to Europe and the Levant (1857) that “the color of the whole city is grey & looks at you like a cold grey eye in a cold old man … Judea is one accumulation of stones — stony mountains & stony plains; stony torrents & stony roads; stony walls & stony fields, stony houses & stony tombs; stony eyes & stony hearts. Before you and behind you are stones. Stones to the right & stones to the left … No country will more quickly dissipate romantic expectations than Palestine — particularly Jerusalem.”[1] Albert Rhodes, American consul to Jerusalem in the 1860’s, was equally disenchanted with the denizens of the city: “monks ignorant of the elementary principals of their faith; Jews living three thousand years ago; natives with minds of children; all sitting, eternally sitting, and none working.”[2]
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Breakup Sex in a Hamlet-Mobile

By John W. W. Zeiser

We climbed onto pillows, pushed up against the back of the driver’s and passenger’s seats, as the doors to the van closed. Hamlet lay on the floor, drinking a beer and wearing sock garters that I don’t think were holding anything up. He didn’t speak. Was he sizing us up, maybe waiting to see if we would say something first? Or was he just catching his breath? He was halfway through a three-hour marathon of performing the same 15-minute show on repeat; perhaps all his psychic energy had been drained by our 9:30 slot. Continue reading

L.A.’s Legendary Restaurants

 

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