Category Archives: Arts & Culture

Mary Mazzio Discusses Her Documentary on Child Sex Trafficking, the CDA, and Backpage

By Mischa Geracoulis

Mary Mazzio, attorney-turned-humanitarian documentarian, impassioned founder of 50 Eggs Films, and producer of such films as Underwater Dreams, The Apple Pushers, and Contrarian, spotlights another human rights issue — child sex trafficking — in her latest film, I Am Jane Doe. Continue reading

Elegy as Ecstasy: Rereading Motherwell

By Dean Rader

“a word is elegy to what it signifies”Robert Hass

The first poem of mine to be accepted for publication in a national magazine was about Robert Motherwell. It bears the dizzyingly innovative but not misleading title Motherwell. It was (and is) an homage to his spectacular series of Elegies to the Spanish Republic, completed between 1957 and 1990. That Motherwell is the subject of a poem is not surprising since the main aesthetic concept for the Elegies finds its roots in poetry. Motherwell’s artistic guide was the French Symbolist poet Stephan Mallarmé, who urged artists “to paint, not the thing, but the effect it provides.” That advice is highly symbolic and highly evocative in that it foregrounds the poetic over the literal. Continue reading

Alec Baldwin, James Baldwin, and Apocalyptic Exceptionalism

By Matt Seybold

Ratings for Saturday Night Live steadily declined for four consecutive seasons, starting in 2011, as Lorne Michaels struggled uncharacteristically to cultivate a new crop of stars. In the fall of 2015, the overhauled cast began to rally around Kate McKinnon, particularly her portrayal of Hillary Clinton. SNL’s current season is on pace to be its highest-rated since, perhaps not coincidentally, the election of Barack Obama. Among the most viral videos the revitalized show has generated is “Hillary Actually,” which aired during the final episode of 2016. Parodying a famous scene from the romantic comedy Love Actually, the sketch features McKinnon, as Clinton, using cue cards to coyly communicate with members of the Electoral College. McKinnon ventriloquizes efforts to persuade electors to abandon President-Elect Trump and, as one of the cards reads, “just vote for literally anyone else.” One could interpret the scene as mocking increasingly desperate and delusional public figures who couldn’t seem to come to terms with the reality of Trump’s impending presidency. But it isn’t satire exactly. The cue cards, though witty, actually make a cogent and compelling argument for faithless electors, complete with bullet points like “2. He’s already provoked the Chinese,” “6. He knew Russia was involved in hacking the election,” “11. His Vice President believes in conversion therapy,” “12. More than a dozen women have accused him of sexual assault,” and “15. He doesn’t know how the government works.” Continue reading

The Creative Independent on the Art of the Interview

By Edith Young

The Creative Independent launched in October of 2016, publishing its first original interview with poet Eileen Myles on day one, followed by artist Björk on day two. Out of the gate running, TCI stated its goal: to become a “resource of emotional and practical guidance for creative people.” The publication, embracing the archival nature of the internet, aspires to assemble an oral history of contemporary creative processes and practices. A spring chicken in the world of digital publishing platforms, TCI is technically a Kickstarter project, and an extension of their mission to support and champion the arts, though the site seems to operate as its own ecosystem within the crowdfunding corporation. Continue reading

Museum Curators and their Public

By Steve Light

The San Francisco Museum of Modern Art (SFMOMA) recently re-opened after a closure of over three years for expansion and renovation. Most of the opening exhibitions consist of artworks loaned by the Doris and Donald Fisher Collection on the basis of an arrangement and agreement which resulted in the Fishers funding the museum’s expansion. I haven’t been to SFMOMA in many years. I don’t visit the Bay Area often, but when I do it is the most sparkling and invigorating artists in the region whose work I want to see, and their work tends not to be in the MOMAs and MOCAs of the world, although they certainly ought to be. Continue reading

Old Songs for the New Resistance

By Bruce Bauman

A soundtrack of 60s rock political anthems urging an uprising against the establishment, for the new generation of what Lou Reed called “all you protest kids.” I sure hope Inaugural weekend was not the end, but the beginning of a new activist movement against the coming Trumpian Reign of Terror. His cabinet appointees might not be guillotining heads, but if they repeal Obamcare, roll back Medicaid, undo Roe v. Wade, make the EPA the Business Protection Agency, and allow the planet to overheat to a boil, many thousands of lives will be at stake. Everything the Viet Nam anti-war protesters, Civil Rights activists, Feminists, and your basic new leftist fought for — and so many things that are now taken for granted — is going to be (hell, is already) under attack. I purposely omitted Sam Cooke’s “A Change Is Gonna Come.” That was the Big O’s song and I’m not playing it again until Trump is gone. New songs need to be written; but, for what it’s worth, these are ten of my existing faves. PLAY ‘EM LOUD as you take to the streets. Continue reading

Another Chance to Understand: John Baldessari at the Marian Goodman Gallery

By Sam Sackeroff

How do you solve a problem like the avant-garde? That is a question that John Baldessari has been asking in one form or another for more than five decades. Since July 24th 1970, when, in an inspired moment of getting-over-it, Baldessari and his students at the University of California at San Diego burned the last-gasp gestural paintings that he had made between 1953 and 1966, he has been exploring different ways of pushing the most compelling elements of advanced visual art out of the ever-narrowing confines of academic modernism and into the rich and unpredictable space of actual looking. Continue reading