Martin Shuster finds commonality between the latest Scorsese and Tarantino films, and what they say about American nostalgia.
Arts & Culture
Under the Influence: Little Joe as Psychopharmacological Thriller
Robert Carson examines director Jessica Hausner's take on the psychological thriller genre.
Marielle Heller Deserves an Oscar Nomination for the Therapeutic A Beautiful Day in the Neighborhood
Natalia Winkelman reviews Marielle Heller's "A Beautiful Day in the Neighborhood," starring Tom Hanks as Mr. Rogers.
The Empty Suits: On The Last Knight at the Met
Bailey Trela reviews the haunting majesty of the Met's "The Last Knight" exhibition, on display until January 5, 2020.
A Call to Peace: Monuments in New Jersey
Clare Fisher thinks about monumental works in New Jersey and what is considered "timeless."
Edgar Oliver: The King of the Slow
Rebecca Chace reviews Edgar Oliver's latest one-man show "New York Trilogy" at the Axis Theatre.
How The Lighthouse Makes a Monster of Capitalism
Rebecca Harrison examines just what makes "The Lighthouse" so horrifying.
Love Islands
Valerie Slaughter discusses the tribulations of monogamy, performative relationships, and the hit British reality dating show "Love Island."
The Cowboy and His Strangers: Terry Allen at LA Louver
Niall Murphy reviews LA Louver’s survey of Terry Allen, which ran June 26 through September 28, 2019.
White Screen/Black Hole: On Daniel Fish’s Theatrical Pas-de-Deux with Don DeLillo
Elizabeth Wiet reviews Daniel Fish’s 2019 stage adaptation of Don DeLillo’s 1985 novel "White Noise" at NYU's Skirball Center for the Performing Arts.
