Alix Beeston discusses Dwayne "The Rock" Johnson's acting career and the symbology of his body and public persona.
Martin Gelin remembers a drive around East LA with Jonathan Gold, who celebrated the diversity that makes American cities great.
Amanda Feinman reviews Ari Astor's new horror film "Hereditary," pointing out its nuanced take on motherhood not normally seen in the horror genre.
Callie Hitchcock reviews Netflix's "Love" in light of the hyperreal storytelling style exhibited in "Caillou."
Geoff Nelson discusses Bertolt Brecht's theory of alienation and the music videos of Mitski.
Rebecca Linde writes against the nostalgia-driven impulse toward television reboots.
Max Suechting reviews Kanye West's "ye" and West's collaboration with Kid Cudi, "Kids See Ghosts."