• Little Women has a Big Class Problem

    Sarah Hannan Arkebauer dissects the class politics of Greta Gerwig's latest film.

    Meretricious Marriage Story

    Greg Gerke assesses the originality and impact of Noah Baumbach's latest film.

    Danielle Lessovitz’s Port Authority: Visually Stunning and Authentic

    Emma Konst contextualizes the "full-bodied, realistic trans character" in Danielle Lessovitz’s "Port Authority" among recent films about trans love.

    Minding the Molly Discourse: Don’t Overlook The Feminist Roots of Her Work

    Jenny Staff Johnson examines the unique feminism of Molly Ivins in light of the documentary "Raise Hell."

    Tarantino, Race, and the Construction of American History

    Martin Shuster finds commonality between the latest Scorsese and Tarantino films, and what they say about American nostalgia.

    Under the Influence: Little Joe as Psychopharmacological Thriller

    Robert Carson examines director Jessica Hausner's take on the psychological thriller genre.

    Marielle Heller Deserves an Oscar Nomination for the Therapeutic A Beautiful Day in the Neighborhood

    Natalia Winkelman reviews Marielle Heller's "A Beautiful Day in the Neighborhood," starring Tom Hanks as Mr. Rogers.

    How The Lighthouse Makes a Monster of Capitalism

    Rebecca Harrison examines just what makes "The Lighthouse" so horrifying.

    Why We Shouldn’t Fear Joker

    Chris Yogerst examines the history of misconceptions about violent films spurring real-world violence.

    L3-37 and the Droid Rights Charade

    K. Aleah Papes takes a look at the treatment of android rights in "Solo: A Star Wars Story."