If you were a horror fan back in the late ‘90s or early aughts then you may be familiar with the UK distributor Redemption Films, which specializes in movies with titles like Nude For Satan, The Sinful Nuns of St. Valentine, and The Rape of the Vampire. As a teenager, I was more interested in the Evil Deads and Re-Animators of the world and less in Redemption’s output; it wasn’t until recently that I gave them another look, and in so doing, discovered the hypnotic, strangely beautiful world of Jean Rollin. Continue reading
By Steve Light
for Joe Bucholt,
as good, as kind, as lovely
a person as you could ever hope to know,
yes, the best, the most beautiful kind of person
In his book, Profanations, the Italian philosopher Giorgio Agamben includes a little essay, barely a page and a half long, “The Six Most Beautiful Minutes in the History of Cinema.” Agamben speaks of a sequence in a never-completed film of Orson Welles that sought to depict what further adventures Don Quixote and Sancho Panza might encounter if they were to find themselves in the 20th Century. Welles, after a dispute with the studio executives concerning the editing of his film Touch of Evil, simply took off for Mexico, where he began shooting his Quixote film. Continue reading
In one of the opening scenes of Raoul Peck’s I Am Not Your Negro, we are shown a clip of James Baldwin as a guest on The Dick Cavett Show. Cavett is asking Baldwin about whether he is hopeful or despairing for the future. Baldwin breaks into that dazzling gap-toothed smile of his and takes a breath before beginning. It is a particular skill of Baldwin’s that remains uniquely his own: to rain down thunderous truth with such measured grace. In Notes of a Native Son, Baldwin writes of living in a white world, “One is always in the position of having to decide between amputation and gangrene.” Neither option is particularly enticing: either one lives as a cripple or suffers the “equally unbearable…risk of swelling up slowly, in agony, with poison.” To throw a glass of water at the owner of a diner who refused to serve him — something Baldwin writes about in his book — is amputation. To smile through the ignorant questions of white folks, that’s surely gangrene. To tell the truth, Baldwin concedes to Cavett, he doesn’t have much hope. Does that make Baldwin a pessimist or a fortune-teller? Continue reading
Moviegoers in China pull no punches skewering the big-budget, low-quality offerings that dominate at the country’s theaters. Famed director Zhang Yimou, known for socially critical films, “has already died,” according to the top review of his widely-panned epic The Great Wall on the popular site Douban. Nearly all of the most-liked user reviews are similarly unforgiving: “Zhang Yimou finally unloaded the burden of being an artist, glamorously turned around, and told his former self, ‘goodbye!’” Continue reading
By Jenny Lower
Two hours before the La La Land–Moonlight mix-up notably derailed the Oscars, Iranian filmmaker Asghar Farhadi also made history. In 2012, he became the first Iranian director to win Best Foreign Film for A Separation. On Sunday night, he did it again with The Salesman. Continue reading
There are different stories to be told about our relationship with nature, different understandings, different knowledge, still.
Tending the Wild, a new documentary on the traditional ecological knowledge of California Indians produced by KCET and Link TV, makes this abundantly clear. The documentary builds on the work of ethno-ecologist M. Kat Anderson and her book of the same title Tending the Wild: Native American Knowledge and the Management of Californian’s Natural Resources (University of California Press, 2005) through in-depth, personal, on-the-ground stories from around California about indigenous management of the essential trinity of fire, water, and food. Continue reading
Mary Mazzio, attorney-turned-humanitarian documentarian, impassioned founder of 50 Eggs Films, and producer of such films as Underwater Dreams, The Apple Pushers, and Contrarian, spotlights another human rights issue — child sex trafficking — in her latest film, I Am Jane Doe. Continue reading
Emmanuelle Riva and I were supposed to get lunch.
But the star of French-Japanese New Wave classic Hiroshima mon amour — the story of a love-affair between a French actress and a Japanese businessman scarred by the war — died Friday at 89 of health complications related to cancer. Continue reading