• High and Dry, Low and Wet: Some Thoughts on Hatch at the Bowtie Project

    Rachel Elizabeth Jones looks at an artsy strategy to revitalize and critique treatment of the LA River.

    Romare Bearden: A Likeness

    Andrew M. Davenport reviews two recent books about 20th century artist Romare Bearden.

    The Empty Suits: On The Last Knight at the Met

    Bailey Trela reviews the haunting majesty of the Met's "The Last Knight" exhibition, on display until January 5, 2020.

    The Cowboy and His Strangers: Terry Allen at LA Louver

    Niall Murphy reviews LA Louver’s survey of Terry Allen, which ran June 26 through September 28, 2019.

    Visionary Systems: Charles Gaines’s Palm Trees and Other Works at Hauser & Wirth Los Angeles

    Alexandre Saden reviews the Charles Gaines exhibition at Hauser & Wirth Los Angeles (September 14, 2019 – January 5, 2020).

    Pain and Resilience: Philip Guston at the Crossroads

    Scott Timberg talks with Musa Mayer, daughter of Philip Guston, about her new book about her father and a September 22, 2019 signing at Hauser & Wirth.

    Designing for Death: On Hito Steyerl’s Drill

    Bailey Trela looks at Hito Steyerl’s installation "Drill" at the Park Avenue Armory.

    A Survey in Light: Mary Corse at LACMA

    Natasha Boyd reviews the Mary Corse exhibition "A Survey in Light" at LACMA, on display now until November 11, 2019.

    Resistant Growths: Hande Sever’s When the Geraniums Bloom at the Visitor Welcome Center (July 13 – August 17th, 2019)

    Alexandre Saden inspects Hande Sever’s exhibition "When the Geraniums Bloom," on display July 13–August 17 at the Visitor Welcome Center in LA's Koreatown.

    Some Sort of Association: Joan Mitchell at David Zwirner

    Sam Sackeroff reviews the recent Joan Mitchell exhibit at the David Swirner Gallery in New York City.