Bailey Trela takes a look at the "The American Pre-Raphaelites: Radical Realists" exhibit at the National Gallery of Art.
Natasha Boyd reviews the "Au Naturel" retrospective exhibition of Sarah Lucas at the Hammer Museum.
Melissa Karlin examines the staying power of contemporary art fairs in Los Angeles.
Andrew M. Davenport reviews "Between Worlds: The Art of Bill Traylor" at the Smithsonian American Art Museum.
Grace Hadland considers the meaning of accumulation in Zoe Leonard's recent exhibition "Survey" at the Museum of Contemporary Art.
Eli Rudavsky reviews the Art Institute of Chicago's recent exhibition, "Never a Lovely So Real."
What might a conversation between student and professor about "The Republican Club" look like?