By Jordan Alexander Stein
If I hum a few bars, you might begin to recall the tune. It goes like this. In August 1970, a warrant was issued for Angela Davis’s arrest. Two guns she’d legally owned and registered turned up in a courtroom shoot out a week before, and this disgraced philosophy professor, doubtful of getting a fair trial in Ronald Reagan’s California, went underground. For two months, Davis evaded police and the FBI, before she was arrested in a Times Square motel, resurfacing to one of the most publicized trials of the twentieth century.
Those are the verses most people know. But the song I’d rather sing you begins elsewhere—sometime in 1971, when Nina Simone carried a balloon into the Marin County jail where Davis was being held for trial. Continue reading
The following is a feature article from the newly released LARB Quarterly Journal: Spring 2014 edition. To pick up your copy of the Journal, become a member of the Los Angeles Review of Books at the $11 monthly level or order a copy at amazon.com, indiebound.com or b&n.com.
ART FORGERIES have long been the stuff of thrillers, with fake da Vincis or Vermeers fooling connoisseurs, roiling the art world, and moving millions of dollars. We don’t think of ancient books driving such grand forgery, intrigue, and schadenfreude. This is changing thanks in part to a clever forgery of Galileo’s landmark book Sidereus Nuncius, published in Venice in 1610. Arguably one of the most extraordinary scientific publications of all times, Sidereus Nuncius turned Galileo into the brightest new star of Western science. Four centuries later, a faked copy of this book has disarmed a generation of Galileo experts, and raised a host of intriguing questions about the social nature of scholarly authentication, the precariousness of truth, and the revelatory power of fakes. Continue reading
Below is a piece from Boom, one of our LARB Channels. We’ve reproduced it in full here; to read the original, and to check out more from Boom, visit their website.
By Eve Bachrach and Jon Christensen
From Boom Summer 2014, Vol 4, No 2
We’re not arguing about what really matters.
So many columns filled, so much hand wringing, but no one seems to be able to answer: What’s the matter with San Francisco? Continue reading
By Maura Elizabeth Cunningham
Shanghai is a city of reinvention. The metropolis has transformed over the past two centuries from a regional trading hub to a massive global financial center. Shanghai has become the site where China meets the world, a point of entry for alien goods and customs that transfigure the city into an environment that is neither entirely Chinese nor foreign, but rather a blend of the two. With this growth, millions of people have poured into the city: migrants from within China, hoping to find work that will put their families on firm economic footing, as well as arrivals from around the globe, each pushed or pulled to Shanghai by personal forces. Some seek money; some hope for adventure; others want to escape, to disappear into the crush of people and emerge with a new name and history — and in turn, a new future. Continue reading
Below is an excerpt from a review of Mark Harris’s The Nature of Creation, originally published by LARB Channel Marginalia earlier today.
In 2003, an international research group successfully mapped the human genome, exposing for the first time the mass of genetic information encoded in human DNA. This event changed the ideological landscape of conversations on the Bible and science, in part because it produced genetic evidence for the evolutionary relationships between humans and many other species. This explosion of genetic data has prompted many questions about human origins and demands a renewed examination of the biblical text and of Christian theology. Meanwhile, recent work in biblical studies has encouraged new readings of creation literature — particularly in the book of Genesis — thereby reconfiguring the Bible’s relationship to science. Yet, few scholars are competent in both the hard sciences and biblical studies. Even fewer approach the confluence of these two fields without a predetermined agenda to promote. Mark Harris, however, is competent — he is trained in both physics and theology — and even-handed in his new book, The Nature of Creation: Examining the Bible and Science. Continue reading
By Jacob Surpin
It’s been a big week for television coverage here at LARB. Along with Dear TV, two other excellent pieces on television appeared as well. While not technically Dear TV, they are featured in this recap. Including those pieces, we saw essays on Game of Thrones, Orange is the New Black, and Louie.
Dear Television, June 15–21
- The Game of Thrones season finale was this past Sunday night, and Sarah Mesle has thoughts about it. Her piece, “Arya’s American Fantasy,” is concerned with the choices Thrones characters are confronted with, how they deal with them, and how this relates to American narratives of freedom (“the desire to go someplace else, where our choices will, maybe, be somehow different.”)
- Maurice Chammah‘s extended piece on Orange is the New Black blends a real appreciation for the show’s aesthetic appeal with an examination of whether “we actually learn anything about criminal justice from staring at these women for 13 hours.”
- Micah Hauser carefully considers the politics of laughter in Louie. From the essay: “As a show, Louie relishes the repeated trope — there are YouTube videos devoted to excavating the conceptual continuities throughout the series — and one of the most persistent is Louie’s own rigorous pursuit of women against their will.”
Below is an excerpt from a review by Dave Coon of Beck’s most recent album, “Morning Phase,” originally published on Avidly, one of our LARB Channels.
Artists have been trailed out of the box canyons north of Los Angeles by enemies, real or imagined, for decades. Jules Amthor, Chandler’s sociopathic psychic, cornered Phillip Marlow in one of these canyons. Joan Didion haunted the curves of the PCH in her white corvette and Neil Young was pursued by an army of mutant machine gun toting dune buggies down the dunes and onto the beach.
Other than the need for record sales and lunch, what is chasing Beck out of Malibu these days?
Beck is among us again, staring out at his listeners from the cover of “Morning Phase”, his recently released record, and his first for new label home, Capitol Records. His twelfth long-player dropped this spring and — other than the fact that it is a gorgeous sounding record — I’m not sure what to make of it. Continue reading
Photo: Wang Zihao. © Dou Yiping
By Lu-Hai Liang and Dou Yiping
China’s journalism schools, like those in many countries, are packed full of students preparing to join an industry where the supply of graduates far exceeds the number of positions available.
The press may be perceived as the fourth estate in the West, but some journalism students in China follow a “Marxist view” that includes supporting party principles, criticizing the “bourgeois concept of free speech,” and maintaining correct “guidance of public opinion,” according to an article on the China Media Project’s website. Continue reading
Non-Muslims, including Jews and Christians, have spoken Arabic since before the revelation of the Qur’an. Was there an Arabic Bible before the rise of Islam? Or, did the appearance of the Arabic Qur’an shape the Arabic Bible? These are among the questions addressed in Sidney Griffith’s masterful book, The Bible in Arabic. Continue reading
By Jacob Surpin
It’s been an unusually quiet week for Dear Television. Mad Men is currently on a mid-season hiatus, and there is no essay on Louie this week. Still, a quick glance at the LARB Main Site leaves no doubt the section is doing ok: Dear TV pieces currently hold the nos. 1, 4, and 7 spots on our “Most Viewed” list. Last week’s roundup is here; this week brought a singular essay on the new Game of Thrones.
Dear Television, June 8–14
- Sarah Mesle on the latest Game of Thrones episode, “The Watchers on the Wall.” Mesle’s coverage this week is, loosely, about genre. Picking out the central tension in the episode, and connecting that tension to a topic of debate in the intellectual community, Mesle, as usual, is at her insightful best toying with the big ideas oft inspired by Thrones. As she notes in her discussion of genre: “Rules and formulas are not the rejection of subtle meaning but rather the condition of their possibility… Perhaps Game of Thrones can help us remember that the question is less ‘is there a formula?’ than ‘what is done with that formula?'”